Classical music has its own version of the tritone sub, which, of course, predated the jazz version. It results from the outer voices (usually soprano and bass) moving in contrary motion into the ...
In tonal harmony the German augmented‑sixth chord—occasionally abbreviated Ger+6—is a strikingly tense harmonic device that draws listeners toward the dominant in a way both chromatically colorful and ...
The "Neapolitan 6th" chord (N6) is another sonority whose definition is based on the triad that it makes, which is a vertical perspective that glosses over its actual horizontal function. It is ...
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