Edward Hopper produced closely observed urban views, landscapes (largely of New England), and interior scenes—all either devoid of or sparsely populated by people. Though he insisted that his ...

The exhibition Marcel Duchamp and this volume are co-organized by two museums with which Duchamp had enduring relationships: The Museum of Modern Art and the Philadelphia Museum of Art. 3 His ...

Ever ready to explore new paths, however, in January 1965 Asawa had enthusiastically accepted an invitation from June Wayne, founder of Tamarind Lithography Workshop (now Tamarind Institute), to be an ...

Pee-wee as Himself, Matt Wolf’s surprisingly frank documentary about Paul Reubens, has an unusual goal. “I wanted to make a portrait of Paul as an artist,” Wolf says, “and not to tell the story of the ...

Hear from artists, writers, and therapists about what happens when art and grief collide.

But most images fall somewhere in the middle of the spectrum. Compare the way Sofia Warren draws herself and two others watching a performance (below left) to Guno Park’s depiction of two Museum ...

Join Lola Flash and five friends as they reminisce about art and community when the AIDS epidemic tore through NYC in the 1980s and ’90s.

June 18, 1920 Fumaria officinalis (Common Fumitory) The Fumaria has a sensitive nature spirit, it tries to incorporate both ascending and descending energies. Its flower is wispy, seemingly without ...

AH: And it wasn’t just the Rio Olympics that found it useful. EH: NASA has a data visualization team, and they’ve created their own version in the same format, which has also been very popular and ...

You raise such a crucial aspect of her adventure, especially in this moment when the self—the self as brand, the artist as lifestyle influencer—reigns supreme. By doing the work of others, Sturtevant ...

Wright not only welcomed this hypothetical migration, he sought to design it. At the 1935 National Alliance of Arts and Industry Exposition at Rockefeller Center, he unveiled a massive, ...

In France, the Royal Academy of Painting and Sculpture, founded in 1648 under the aegis of Louis XIV, began organizing an annual exhibition in 1667. Because the recurring location for this event was ...